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culture chanel

  • Quels regards sur le cinéma des premiers temps ?

    Projection de 3 films sténopé à la Fondation Jérôme Seydoux-Pathé, le 7 décembre 2021 à 12:00 :

    "La palombière"

    "Camera dei sogni" 

    "Culture Chanel - Exposition Séoul 2014"

    Fondation Jérôme Seydoux-Pathé
    73 avenue des Gobelins, 75013 Paris




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    Photogramme extrait du film sténopé 35mm. "Culture Chanel - Exposition Séoul 2014".


    S’interroger collectivement sur la place qu’occupe aujourd’hui le cinéma des premiers temps dans notre imaginaire et esquisser un bilan historiographique de la discipline, c’est ce qu’ambitionne cette journée d’étude, organisée à la fondation Jérôme Seydoux-Pathé, à l’occasion de l’exposition « Enfin le cinéma ! » au Musée d'Orsay. Les sources premières récemment mises à disposition des chercheurs, des enseignants et des programmateurs, les champs émergeants de la recherche comme les études de genre les études postcoloniales et les approches éco-critiques, ainsi que les outils théoriques les plus actuels comme la question des représentations, feront l’objet de communications inédites. L’occasion est offerte au public de connaître les nouveaux acteurs et les institutions, aujourd’hui à l’initiative de la production de ces nouveaux savoirs. Cette journée d’étude, à l’image de l’exposition qu’il accompagne, cherche à comprendre ce que le cinéma des premiers temps dit de la société d’aujourd’hui.

    Comité scientifique du colloque : Dominique Païni, Paul Perrin, Marie Robert, Stéphanie Salmon

    Ce colloque est coorganisé par la Fondation Jérôme Seydoux-Pathé et l’Etablissement public du musée d’Orsay et de l’Orangerie Valéry Giscard d’Estaing.

    Info : http://www.fondation-jeromeseydoux-pathe.com/node/2140

    Lien permanent Catégories : Film 0 commentaire

    7 pinhole movies realized for the exhibition
    The Ca' Pesaro museum
    Venezia - Sept 2016 / Jan 2017
    Curator Jean-Louis Froment


    MORE INFORMATION : http://culture.chanel.com/fr/le-musee-ca-pesaro


    Lien permanent Catégories : Film 0 commentaire
  • CULTURE CHANEL - SEOUL - New pinhole movies

    Click on the image to discover in preview the new exhibition "CULTURE CHANEL" in Seoul,

    and see 10 new pinhole movies that I made for this new journey around places of Gabrielle Chanel ...

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    Presentation of the exhibition by Jean-Louis Froment, curator.

    "Culture CHANEL tends to reveal to the public the foundations of the brand through the unique life of Gabrielle Chanel, emphasizing her links with the artists she supported and that nurtured her creativity."
    Jean-Louis Froment

    The Sense of Places, an exhibition

    As inspirational subjects that go beyond mere geographical locations, Gabrielle Chanel’s places especially marvel for some intangible radiance, which for an instant unravels the way they are perceived in reality, and makes them uncannily hers.
    Still today, these same sensations enliven the creations of the House of CHANEL.

    Often linked to romantic liaisons, the places visited within the latest CULTURE CHANEL exhibition in Seoul, draft out a “Map of Tendre”, a promenade through this great couturière’s secret twists and turns, to settle momentarily in yet another place enamoured of modernity: the Dongdaemun Design Plaza with its architecture designed by Zaha Hadid.

    Saumur, Brive, Aubazine, Moulins, Royallieu, Paris, Deauville, Venice, Biarritz, Roquebrune, Eaton Hall, Hollywood and New York are figments of which she retained just the outlines, her unique experience of each would then be transposed into her work.

    However, there is one special place, one where a life draws to a close, and one which embraces all the others: Gabrielle Chanel’s apartment at 31 rue Cambon, Paris.
    Here unfolds the setting for her innermost intrigues.
    Here the spirit of places is embodied.

    This apartment is a storybook account of her friendships and her loves, broken up and then reconstructed in the same octagonal mirrors - a memento of the impression the church tower at the abbey in Aubazine left - that reflect all the great moments in her life.

    It is the place that expresses the intuitive science of Gabrielle Chanel’s poetic, imaginary world.

    Chinese ballades in the Coromandel screens, old Venetian gold on the walls, Korean glazed stoneware, animals escaped from the forest of Compiègne encounter sacred deer from Japanese temples, the bust of a canon and a virgin from Bourgogne make eyes at Egyptian death masks, bestiaries from the four continents where the lion is king, and then the ears of wheat; so many intimate connections from within her diffracted memory, so many fragments from her continually re-invented biographical journey.

    Then, there is that permanent place of thought, a place of endless resonances that unite the great couturière and the books found in her library, and it is needless to say how much the thrum of her reading whispers to her the invisible life of things.
    From these she would form her own perspectives.

    It is here at 31 rue Cambon that she secretly held communion with the ghostly messages from these clandestine occupants she shared her life with, and where she travelled through the architecture of cities she had never visited or where she dreamt of the landscapes depicted in the books of her library.

    It is here, on the other side of a mirror, in a secret place of private fascination that all journeys and all the moments spent, imaginary or real, end up and mingle.
    Gabrielle Chanel would know how to intercept these; to unravel and give them a form which would become the spirit of CHANEL reactivated each day under the living light of contemporary creation.


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  • IDFA 2011 Amsterdam - "CHANEL Aubazine-Paris"

    International Documentary Film Festival Amsterdam 16 - 27 November 2011

    - Screening - Paradocs Selection* -

    "CHANEL Aubazine - Paris"

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    Location & date

    BRAKKE GROND / Expozaal = Tue 22 November -  22:00

    TUSCHINSKI #2 = Sun 27 November - 14:15

    More info



    * Paradocs is a program in which the ‘periphery’ of the documentary genre takes center stage. It showcases what is going on beyond the frame of traditional documentary filmmaking, on the borders between film and art, truth and fiction and narrative and design.

    Paradocs Selection 2011



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